Lynn Neuman

2019 - an amazing year at Artichoke Dance

2019 - an amazing year at Artichoke Dance

2019 was an amazing year for Artichoke Dance. We reached over 5000 people with our performances, workshops and engagements, made our west coast debut, and saw significant pay off in or plastic bag efforts with the passing of legislation in New York State. Dance activism works! We couldn’t have done it with out you. Find out how our work is making a difference, take a sneak peak at 2020, and please support us with a year-end contribution.

An Aha Moment in Arts and Climate Change Activism

An Aha Moment in Arts and Climate Change Activism

Real and lasting change is required to create the cultural shift necessary to overcome the climate crisis. I believe it takes reencountering engaging experiences from many perspectives, and this is where the arts play a key role. Here I talk about an encounter with Carry the Earth that reinforces this in my own life.

Who’s Responsible and Who’s Left Behind? Questions for Climate Week...

Who’s Responsible and Who’s Left Behind?  Questions for Climate Week...

I live 4 blocks from the Gowanus Canal, New York City’s first designated superfund site and one of the most polluted waterways in the United States. It’s also slated for the largest rezoning in New York City in 20 years. Yet it remains a toxic area. Gowanus can serve as a microcosm of larger development issues and begs some important questions.

Imaging the future - the artists role

Imaging the future - the artists role

The arts and artists provide creative options to problems that often times have otherwise prescriptive solutions, which might not make the most sense in the future. I call this a failure of imagination, and while none of us can predict the future with absolute certainty, we can, and need to, think forward and holistically. Here I talk about this in relation to developments of Future Currents: The LA River, a project in development.

The Creative Road is a Winding Pathway

The Creative Road is a Winding Pathway

The past month I’ve been in residency at Governor’s Island, a 172 acre island in New York harbor, with Works on Water and Underwater New York, two organizations who focus on water as a point of departure to further examine ecological change and the city respectively. Continuing my work with plastic bags, my objective was to create a glacier-like structure out of bags and begin to develop ideas for the performance piece the glacier will be featured in, We Are Drowning. What I landed on surprised me, opening new pathways.